汉剧戏衣色彩观念的溯源与建构

The Origin and Construction of the Color Concept of Hanchu Opera

本文基于文献研究法,探究汉剧戏衣色彩背后所蕴含的观念内涵与建构规律。研究发现,汉剧戏衣色彩的观念成因一可追溯至先秦时期的荆楚傩戏,二又与中华传统五行观念之间具有一定关联性,体现出既有个性又不失共性的特点。其建构规律具体表现为正色为上、“楚赤”当先,间色为下、浓艳重彩的特点,既反映着中华民族传统审美观念,也体现了湖北人民“火辣辣”的地域性格。且汉剧戏衣色彩的形成受明清时期冠服制度的影响最甚,又保存和传承了中国历代服饰的精髓,具有强烈的时代特征。

This paper is based on the literature research method to explores the concept connotation and construction rule behind the color of Hanchu Opera.It is found that the conceptual causes of the color of Hanchu Opera costumes are two.The first is related to Jingchu Nuo Opera in the pre-Qin period,and the second is related to the traditional Chinese concept of the five elements.Therefore,the color of Hanchu Opera costumes reflects both personality and common characteristics.Its construction rule is specifically manifested as the main color,"Chu Chi"in the first,the intermediate color is the lower,rich and colorful characteristics.It is not only reflects the traditional aesthetic concept of the Chinese nation,but also reflects the Hubei people's"fiery"regional character.Moreover,the formation of the color of Hanchu Opera costumes was most influenced by the crown costume system in the Ming and Qing dynasties,and it preserved and inherited the essence of Chinese costumes in the past dynasties,with strong characteristics of The Times.