保罗·策兰《从门槛到门槛》中的沉默转向

Shift Toward“Silence”in Paul Celan’s From Threshold to Threshold

《从门槛到门槛》是保罗·策兰的第二部诗集。在这部诗集中,保罗·策兰的诗歌创作从此开始转向“沉默”。在这部诗集中,策兰有意识地讨论诗歌语言在记录及展现真实历史时的有效性,怀疑诗歌写作的正义性。他的诗歌语言也逐渐趋向破碎,表现出间接、晦涩的特点。策兰诗中的“沉默”书写,通过否定性的表达方式,拓展了对历史真实与诗歌表现关系的思考,深化了德语诗歌对纳粹暴政的反思。

From Threshold to Threshold is Paul Celan’s second collection of poems,marking a shift in his poetic creation approach towards embracing“silence”.In this collection,Celan discusses the effectiveness of poetic language in recording and presenting true history,casting doubt on the legitimacy of poetry writing.His poetic language gradually becomes fragmented,displaying characteristics of indirect and cryptic expression.The“silence”writing in Celan’s poems expands the contemplation on the relationship between historical truth and poetic representation through negative expressions,deepening the German poetry’s reflection on the Nazi regime.