摘要
以苏北汉画像石代表性文物为研究对象,应用文物比对分析、材料工艺分析和文献资料分析等方法提取石上设计元素,分析汉以后画像石造物的变革与发展方向,以史为鉴,探讨苏北汉画像石文创设计转型路径。设计转型从苏北汉画像石的保护、传承设计到基于文创产品开发的跨领域文化传播设计,再到革新视域、革新技术的意义突破式创新,多维度转型方式共同推动汉画像石的现代性活化。塑造文化新价值,为其他优秀传统文化的传承与创新提供有益借鉴。
Taking Han Dynasty stone carvings and representative cultural relics in northern Jiangsu as research objects,using methods such as cultural relic comparison analysis,material technology analysis,and literature analysis to extract design elements on the stones,the paper analyzes the transformation and development direction of stone carvings after the Han Dynasty.Taking history as a reference,it summarizes the transformation path of Han Dynasty stone carvings cultural and creative design in northern Jiangsu.Design transformation involves the protection and inheritance of Han stone carvings in northern Jiangsu,cross domain cultural communication design based on cultural and creative product development,and breakthrough innovation in innovative perspectives and technologies.The multi-dimensional transformation approach jointly promotes the modernization and activation of Han stone carvings,shaping new cultural values and providing benefi cial references for the inheritance and innovation of other excellent traditional cultures.
作者
王易声
付腾焱
WANG Yisheng;FU Tengyan(Jiangsu Normal University,221116 Xuzhou Jiangsu)
出处
《设计艺术研究》
2024年第1期155-160,共6页
Design Research
关键词
设计转型
苏北汉画像石
文物视角
文化创新
design transformation
Han Dynasty Portrait Stone in Northern Jiangsu
cultural relics perspective
cultural innovation