摘要
道情是道教弘道宣教的民间说唱,道情在宋元明清时期的中国社会有着深刻影响。历史上道情在各地的传播形成了具有地域特色的地方道情,陕西道情就是道情与三秦民俗相结合的产物。论文考察陕西民间皮影戏班生存的民俗土壤,陕西道情皮影戏的主要剧目及声腔流派,三秦黄土高原道情皮影戏的艺术特色,指出保护传承中华优秀传统文化中的陕西道情,是当前值得社会各界关注思考的问题。
Daoqing was a form of Taoist singing used to promote the teachings of Taoism in popular culture,and this practice had a major impact on Chinese society during the Song,Yuan,Ming and Qing dynasties.The distribution of Daoqing in diverse regions resulted in the creation of local Taoist opera with distinct regional features.Shaanxi Taoist opera,a fusion of Taoist opera and Sanqin folklore,emerged in this context.The study investigates the conditions necessary for the preservation of Shaanxi folk shadow theatre.This includes an exploration of the central repertoire and vocal genres found in Shaanxi Daoqing shadow theatre,as well as an analysis of the artistic characteristics of Daoqing shadow theatre in the Sanqin Plateau.The paper concludes that the protection and inheritance of Shaanxi Daoqing within the wider context of excellent traditional Chinese culture requires urgent reflection and attention from all sectors of society.
作者
张泽洪
吴成国
ZHANG Ze-hong;WU Cheng-guo(Institute for Daoist and Religious Culture Studies,Sichuan University,Chengdu 610064,China;School of History and Culture,Hubei University,Wuhan 430062,China)
出处
《青海师范大学学报(社会科学版)》
2023年第6期90-97,共8页
Journal of Qinghai Normal University(Social Sciences)
基金
国家社科基金重点项目“明清正一道与江南地域社会研究”(21AZJ006)。
关键词
关中道情
商洛道情
安康道情
陕北道情
道教
Guanzhong Daoqing
Shangluo Daoqing
Ankang Daoqing
Shaanxi Daoqing
Taoism