摘要
《新乐潮》是以北京爱美乐社为依托的音乐刊物,介绍、传播西乐是该刊的突出特点。《新乐潮》的这一发文倾向,是刊物传播者主体“把关行为”直接作用下的结果。而这一“把关行为”又受到传播组织、传播者个体思维倾向及社会文化环境内外双重因素的影响。《新乐潮》为西乐在20世纪上半叶中国社会的深入传播提供了助力,同时也对中国传统音乐文化产生了冲击。
The New Music Tide is a music publication based on Beijing Aimei Club,and its outstanding feature is to introduce and spread western music with all its energy.This tendency of The New Music Tide is the direct result of the“gatekeeping behavior”of the main body of the publication disseminators.And this“gatekeeping behavior”is influenced by both internal and external factors of communication organization,individual thinking tendency of communicators and social and cultural environment.The New Music Tide has provided impetus for the deep spread of western music in Chinese society in the first half of the 20th century,and also had an impact on Chinese traditional music culture.
作者
柳笛
LIU Di(School of Music,Shandong University of Arts,Jinan 250000,China)
出处
《兰州文理学院学报(社会科学版)》
2024年第2期99-104,共6页
Journal of Lanzhou University of Arts and Science(Social Science Edition)
关键词
《新乐潮》
西方音乐
发文倾向
传播学视角
The New Music Tide
western music
propensity to publishing
communication perspective