摘要
“庭院”作为宋词惯用意象,亦是典型的性别空间。结合性别空间理论再看宋词庭院意象的文化内涵,并通过归纳宋代男女词人在庭院书写中的异同,结合女词人的在场自述,还原庭院意象“性别化”的真实状态;而在男性词人进入庭院书写后,庭院意象的内涵得到部分延展,其中历史积累的写作经验亦是不可忽视重要因素。
"Courtyard",as a commonly used image in Song poetry,is also a typical gender space.The cultural connotation of courtyard imagery in Song Ci based on gender space is examined,and the similarities and differences between male and female lyricists in the courtyard writing of the Song Dynasty are summarized in combination with female lyricists'on-site self-narration.Meanwhile,the true state of the courtyard image's"gender ization"is restored.Furthermore,the connotation of courtyard imagery is partially extended after male poets enter the courtyard to write.The writing experience accumulated in history is also an important factor that cannot be ignored.
作者
莫亚容
Mo Yarong(School of Literature,Shaanxi Normal University,Xi'an,Shaanxi 710000,China)
出处
《河北工业大学学报(社会科学版)》
2024年第1期39-46,共8页
Journal of Hebei University of Technology:Social Sciences Edition
基金
陕西师范大学研究生领航人才培养项目(LHRCTS23032)。
关键词
宋词
庭院意象
空间
性别
Song Ci
Courtyard imagery
Space
Gender