土司书写的影视表达:隐喻、渐进与地方知识——以羌族电影《红色土司》为例

Film-TV Making of Chieftains’Stories:Metaphor,Fade-in and Local Knowledge--Illustrated by the Filmed‘The Story of Chieftain’of the Qiangic Ethnic Group

土司制度是中国历史上地方治理的方式之一。近年兴起的关涉土司的文学书写和影视表达,引发了历史研究和跨学科探讨。在土司影视的成长过程中,2019年上映的《红色土司》成为反映羌族革命英雄主义的里程碑。本文从该片的背景介绍出发,重点分析影片中的隐喻意涵、线性叙事的渐进手法以及地方知识的嵌入。余论展望土司影视艺术,期待土司影视系统化的规制和发展;相关史料需要进一步做艺术和情感方面的处理,使历史时代的具体经验为今所用、于今有利。

As one way of local governance in China’s history,the chieftain system has aroused academic interest in historical and interdisciplinary studies.Literary writing and film-TV making of the chieftains’stories have been a trendsetter in recent years.During the chieftain film-TV production,The Story of Chieftain released in 2019 becomes a milestone,mirroring revolutionary heroism and community construction for the Qiangic ethnic group.Starting from this film’s background introduction,this paper focuses on analyzing its metaphorical usage,fading-in linear narrative and inbuilt local knowledge.In the conclusion,this paper is looking to the future of the chieftains’film-TV making art,which waits for a systematic development and regulation.Historical materials need a further treatment of art and sentiments,so specific historical experiences will serve today’s purposes.