泛景观:电影业余化的屏幕美学

Panlandscape:Screen Aesthetics of Cinematic Amateurization

视频化不仅改变了信息的传播方式,也深刻影响了大众的审美习惯和文化消费模式,推动大众对世界的感知不断滑向屏幕。屏幕的广泛使用统摄了大众生活世界的叙事,还构成大众与世界之间连接的界面,并为大众认知身边的世界建立起新的框架,使现实世界借助电影的“超景观”逐步被“泛景观化”。屏幕在日常生活中的普遍存在,意味着审美载体迅速从以图文为主转变为以智能屏幕为主,审美对象也因此从阅读图文转变为观看视频,这种转向不仅表现为景观生产的大规模业余化、泛化,而且也表现为美学趣味不断趋向于屏幕化。屏幕的背后是被影像赋能的日常生活,影像不仅成为屏幕时代信息传递的主要媒介形式,也成为表达自我、建立关系和认知世界的重要方式。因此,电影业余化和屏幕的普及共同构成了“全民视频”的泛景观审美现象,促使叙事视频化、生产轻装置化、界面超媒化、审美日志化等成为新的审美趋势。

The advent of video technology has catalyzed a profound transformation,impacting not only the dissemination of information but also aesthetic engagement and cultural consumption patterns.This shift has notably influenced the collective worldview,increasingly aligning it with a screen-centric paradigm.The pervasive presence of screens not only shapes daily life narratives but also serves as the primary interface for individuals’interactions with the world,thereby establishing new cognitive frameworks,transitioning from hyperlandscape to panlandscape.This phenomenon has led to the gradual“screenification”of reality,facilitated by the widespread integration of screens into everyday activities.Consequently,the predominant aesthetic medium has rapidly transitioned from text-based to screen-based,with a noticeable shift in preferences from textual to video consumption.This transition is evident not only in the widespread amateurization and popularization of visual production but also in the increasing dominance of screen-centered aesthetic preferences.Behind the screens lies a life enriched by imagery,where images serve as not only the primary medium for information dissemination but also as essential tools for self-expression,relationship building,and cognitive processing of the world.Thus,the convergence of the cinematic amateurization and the screen proliferation has given rise to the phenomenon of“omnipresent video”in the realm of screen-oriented aesthetics,leading to the videoization of narratives,adoption of lightweight production methods,hypermediation of interfaces,and the emergence of daily-record aesthetics as prevailing trends.