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莎士比亚戏剧的跨文化演绎——论中国越剧与日本宝冢歌剧的异同

A Cross-Cultural Production of Shakespeare's Plays:On the Differences and Similarities Between Chinese Yue Opera and Japanese Takarazuka Opera
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摘要 中国越剧与宝家歌剧改编的莎剧,无论是美学形态,还是艺术呈现方式都有某些相同或相异之处,主要表现在他们对莎士比亚戏剧从不同的文化认知、艺术创作风格的重点把握和舞台呈现方式方面表现出不同的美学特征。本文从越剧《马龙将军》和宝冢歌剧团的《罗密欧与朱丽叶》的美学形式和舞台呈现入手,对显在的艺术审美形式进行分析,进而得出越剧和宝冢歌剧某些内在的深层次差异。 There are some similarities or differences between Shakespeare's plays adapted from Chinese Yue Opera and Takarazuka Opera in terms of aesthetic form and artistic presentation,which are mainly reflected in their different cultural cognition of Shakespeare's plays,key grasp of artistic creation style and stage presentation.Based on the aesthetic form and stage presentation of General Malone and Romeo and Juliet of Takarazuka Opera Company,this paper analyzes the artistic aesthetic form,and draws some deep differences between the opera and Takarazuka Opera。
作者 王雅雯 Wang Yawen
出处 《中国莎士比亚研究》 2022年第2期151-161,共11页
关键词 舞台改编 《马龙将军》 越剧 《罗密欧与朱丽叶》 宝冢歌剧 Stage adaptation General Malone Yue Opera Romeo and Juliet Takarazuka Opera
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