摘要
维利里奥常从技术维度思考电影的美学内涵,并关注到电影技术与人的关系,即电影如何综合运用技术询唤人的情感。维利里奥笔下的电影不仅融汇了各种技术,而且还作为人体感官的延伸,为人体源源不断地施以知觉力量。在此基础上,维利里奥进一步论述了电影的核心问题——速度,并将“速度”置于现象学维度上加以探讨。
Virilio often thinks about the aesthetic connotation of films from the perspective of technology.He pays attention to the relationship between film technology and human beings,that is,how film uses technology to evoke human emotions.The films written by Virilio not only integrate various technologies,but also as an extension of human organs,provide the human body with a constant supply of perceptual power.On this basis,Virilio further discussed the core issue of film—speed,and put it on phenomenological dimension for further discussion.
作者
邓婷婷
DENG Tingting(School of Literature,Guizhou Normal University,Guiyang 550025,China)
出处
《安徽理工大学学报(社会科学版)》
2024年第1期47-51,共5页
Journal of Anhui University of Science and Technology:Social Science
关键词
维利里奥
电影
技术义肢
知觉后勤
速度
Virilio
film
technical prostheses
logistics of perception
speed