摘要
作为鲁迅的第一部创作小说集,《呐喊》收录于迄今出版的不同版本《鲁迅全集》之中,但各版本《鲁迅全集》对《呐喊》的文本进行了相异的处理,体现在校勘、标点和注释之上.在《鲁迅全集》的编校过程中,《呐喊》的文本和注释形态既受到不同编辑理念的影响,又遭遇意识形态因素的干扰.该书的编校注释彰显出中国现当代出版史的若干问题.各版本《鲁迅全集》对《呐喊》的不同处理,折射出鲁迅作品出版的历史变迁.
As the first collection of Lu Xun's creative novels,Call to Arms has been included in all editions of The Complete Works of Lu Xun.However,each edition of The Complete Works of Lu Xun has different treatment of the text,which is reflected in the collation,punctuation and notes.In the editing process of The Complete Works of Lu Xun,the text and exegesis of Call to Arms are influenced by different editorial ideas as well as ideological factors.'The edition and notes surrounding this book manifest several problems in the contemporary Chinese publishing history.The different treatment of the text of Call to Arms in different editions of The Complete Works of Lu Xun reflects the historical changes of the publishing of Lu Xun's works.
出处
《东岳论丛》
北大核心
2024年第3期42-47,191,共7页
DongYue Tribune