宛敏灏《词学概论》字声之学探赜

A Study of Four Tones Based on Wan Minhao’s An Introduction to CI

宛敏灏先生是20世纪词坛的重要学者之一,其凝聚心力所撰成的《词学概论》历经数次出版,至今仍能为当代研究者们指点迷津。其中《字声在词里的运用》一章不仅涵盖了四声发展的始末,还对字声的具体用法及搭配作出经典阐释。宛先生的词学研究析毫剖厘,鞭辟入里;从音与声的多重维度思考词与音乐的关系,以音乐性为线索,归纳总结出词的发展路径,同时为字声之学贡献了新的观点与论据,对“入派三声”的语音现象作出更加通俗易懂的解释,将字声之学更为自然地融入到词学研究整体之中。全书从布局中见宏大开阔,从字声处察匠心巧思,是具有词学理论意义之著述。

Wan Minhao is one of the most important scholars in the field of CI in the last century.His An Introduction to CI has been published several times,and it can still provide guidance for contemporary scholars.The chapter The Use of Sound in Words not only covers the beginning and end of the development of four tones,but also gives a classical explanation of the specific usage and collocation of sound.Wan Min⁃hao’s study of CI is a thorough study of the relationship between CI and music from the multiple dimensions of tone and sound.At the same time,it contributes new viewpoints and arguments to the study of the sound of Chinese characters and gives a more understandable explanation to the phonetic phenomenon of“Ru Pai San Sheng”,and integrates the study of the sound of Chinese characters into the study of CI more naturally.The entire book is characterized by grandeur and openness in its layout,as well as ingenuity and ingenuity in its pronunciation.It is a work with theoretical significance in the field of CI poetry.