批评话语与创作观念相交织的“作坊式”批评--以毕飞宇《小说课》为例

A“Workshop-Style”Criticism that Interweaves Critical Discourse and Creative Ideas:Taking BI Feiyu’s Novel Class as an Example

相较于学院派批评,以《小说课》为代表的“作坊式”批评展现出了独特的批评样貌,它不仅突出了批评语言的修辞特征,在批评方式上也更注重从写作过程进入文本,展示了作家批评的异质视角。同时,由于批评主体的作家身份,《小说课》还从整体结构与细节雕琢两方面展现了作家的创作观念,说明了小说创作的基本方法。在文学逐渐被边缘化的今天,这一批评话语与创作观念相交织的“作坊式”批评对构建大众阅读,培养新生代作家有着重要的推动作用,它不仅重新唤醒了大众对经典的兴趣,也使得不同圈层的文学群体得以相互沟通。

Compared to academic criticism,the“workshop-style”criticism represented by Novel Class not only innovates in explanatory methods,but also focuses on entering the text from the writing process in critical methods,showcasing the author’s heterogeneous critical perspective.At the same time,due to the author’s identity as the subject of criticism,the Novel Class also demonstrates the author’s creative concepts from both the overall structure and details,explaining the basic methods of novel creation.In today’s society where literature is gradually marginalized,the“workshop style”criticism,which intertwines critical discourse and creative concepts,plays an important role in building public reading and cultivating new generations of writers.It not only reawakens the public’s interest in classics,but also enables communication between literary groups from different circles.