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“导演中心”语境下中国当代话剧文体的变革模式及反思

The Transformation Model and Reflection of Contemporary Chinese Drama Style in the Context of"Director Centered"
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摘要 “导演中心制”的推行影响了话剧文体,“导演时代”的话剧文体与传统文体存在明显的差异。但是,中国和西方在“导演中心”和话剧文体之间形成了不同的变革模式。西方戏剧文体的变革和导演上位都以思想为先导。中国当代话剧文体的变革则同舞台形式的革新相关。文体变革模式的选择对中国当代话剧产生了复杂的影响,整体而言,剧本的文学性和演出的文学性都有所下滑。从话剧文体变革模式可以见到中国话剧发展的普遍性问题,思想缺席仍是制约中国话剧发展的最大瓶颈。 The implementation of the"director centered system"has influenced the style of drama,and there are significant differences between the style of drama and traditional style in the"director era".However,China and the West have formed different modes of transformation between the"director centered"and the dramatic style.The transformation of Western dramatic style and the rise of directors are both guided by ideology.The transformation of contemporary Chinese dramatic style is related to the innovation of stage forms.The choice of the mode of dramatic style transformation has had a complex impact on contemporary Chinese drama,and overall,the literary quality of scripts and performances has declined.The common issues in the development of Chinese drama can be seen from the transformation model of dramatic style.The absence of ideology remains the biggest bottleneck restricting the development of Chinese drama.
作者 杨光 Yang Guang
出处 《南京艺术学院学报(音乐与表演版)》 北大核心 2024年第1期109-114,I0004,I0005,共8页 Journal of Nanjing Arts Institute:Music & Performance
基金 国家社会科学基金重大项目“中国话剧接受史”(项目编号:18ZDA260)子课题“中国话剧接受美学研究”阶段性成果。
关键词 导演中心 戏剧文体 变革模式 Director centered Dramatic style Transformation mode
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