摘要
本文梳理了清代职贡图像的演绎脉络,探究以《皇清职贡图》和《万国来朝图》为代表的两类职贡图之间的发展演变,阐明《皇清职贡图》的创作动机为纪实需求,《万国来朝图》是为了表达吉祥寓意和宣扬教化,创作目的差异导致两图表现方式的变化。两图又相辅相成,共同展现清代中叶的盛世图景。
This article reviews the developing context of the official tribute images in the Qing Dynasty,explores the development and evolution between the two types of official tribute images represented by Image of Huangqing Official Tribute and Image of Wanguo Laichao,and clarifies that the creative motivation of the former is for the need of Documentation,while the latter is to express auspicious meanings and promote education.The difference in creative purposes leads to changes in the expression methods of the two images.They two complement each other and together showcase the prosperous era of the mid Qing Dynasty.
作者
李万军
周全
徐英英
Li Wanjun;Zhou Quan;Xu Yingying
出处
《南京艺术学院学报(美术与设计)》
CSSCI
北大核心
2024年第2期91-96,I0003,共7页
Journal of Nanjing Arts Institute:Fine Arts & Design
关键词
图像迁移
万国来朝图
皇清职贡图
纪实需求
吉祥寓意
image transfer
Image of Wanguo Laichao
Image of Huangqing Official Tribute
need of Documentation
Auspicious meaning