宣泄·还原·象征:清代西域文人对葡萄意象的建构

Catharsis,Restoration and Symbol:The Emotional Construction of Grape Image by Western Region Scholars in Qing Dynasty

较之唐人,清人开始更加关注西域百姓的日常生活,葡萄意象为诗言志功能提供一种个人情感宣泄的出口,是清代文人宣泄苦闷的完美载体,寄寓了他们的乐观旷达之情;葡萄意象频繁出现于清代西域文人笔下,还原了边疆安定的生活场景,寄寓了清代文人内心深处的风雅精神,展现了西域各民族交往交流交融的真实场景;葡萄与葡萄酒象征意义在清代西域文学中表达得更加明显,是建功边塞的象征,寄寓了清代文人为国效力的豪情壮志。清代文人借助于葡萄意象,开启了中原和西域情感认同有效融合的进程。

Compared with the Tang people,the Qing people began to pay more attention to the daily life of the people in the western regions.The grape image provided an outlet for the poet to express his will,and was the per-fect carrier for the literati in the Qing dynasty to vent their sorrows.The image of grape appeared frequently in the works of the western region scholars in the Qing dynasty,which restores the scene of the peaceful life in the frontier and embodies the elegant spirit in the inner heart of the scholars in the Qing dynasty.The symbolic meaning of grape and wine is more obvious in the literature of the western regions in the Qing dynasty,which is the symbol of the frontier fortress,it embodies the heroic ambition of the Qing dynasty literati to serve the country.With the help of grape image,scholars in the Qing dynasty started the process of effective integration of the emotional identity of Central Plain and the western regions.