承前启后展风骨——龙泉青瓷三人行

Application of Traditional Chinese Fish Pattern in Modern Design

龙泉青瓷从南宋鼎盛以来,虽有没落,却从无断烧,在时代的跌宕起伏中,似一条披满青色鳞甲的巨龙,时而展现全貌,时而隐身云端,时而游入溪涧,时而只见龙尾。每一片青色的龙鳞,都讲述着创造者的故事。古代匠人们在创作龙泉青瓷时,极少留有名姓,是因为“匠”的地位,在社会阶层中没有可以落笔的资格,但正是由这些“匠人”前赴后继的烧造,从唐的秘色,到五代十国的淡青和北宋婉转的刻划花,化繁为简再来到南宋的梅子青与粉青,承宋的大雅,元的大气,明的多样,铸就龙泉青瓷这条巨龙的历史,成就出龙泉青瓷世界非物质文化遗产的荣耀。时代的变化给予匠人更多的机会,倾力推动现代龙泉青瓷的发展的同时.

This article traces the origin of traditional fish pattern,analyzes the development,change and symbolic meaning of traditional Chinese fish pattern on various types of carriers in different periods(such as primitive period and the Neolithic Age),continuously describes the current status in modern design,and probes into the value and application method of such pattern in modern design from the perspective of external form,internal meaning and overall spirit.