期刊文献+

詹金斯“故事世界”视域下影游融合的叙事话语建构

The Construction of Narrative Discourse in the Integration of Film and Game from the Perspective of Henry Jenkins’ Story World
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摘要 随着互联网时代媒介融合的日益深化,影游融合已成为影视界近年来的“现象级”议题。影像与游戏本身存在“静观”与“交互”的壁垒,当这种隔阂被创作理念与视听技术打破后,呈现给人们的是一派富有生机的“故事世界”。传播和媒介研究学者亨利·詹金斯指出:“一个跨媒介故事通过多样化的媒体平台而充分地表现出来,在这一过程中每一个新的媒体文本都对整个跨媒体故事做出独特而有益的贡献。理想的跨媒介叙事是每一个媒介形态都发挥最佳的功能。”
出处 《电影评介》 北大核心 2024年第3期54-58,共5页 Movie Review
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  • 1David Herman, "Multimodat Storytelling and Identity Construction in Graphic Narratives," in Telling Stories : Building Bridges among Language, Narrative, Identity, Interaction, Societyand Culture, eds. , Anna de Fina and Deborah Sehiffrin (Georgetown UP, forthcom ing).
  • 2David Herman, "Quantitative Methods in Narratology: A Corpus-based Study of Motion Events in Stories," in Narratology Beyond Literary Criticism, ed. , Jan Christoph Meister (Waiter de Gruyter, 2005), pp. 125-49.
  • 3Andrew Salway and David Herman, "Digitized Corpora as Theory-Building Resource: New Methods for Narrative Inquiry," in New Narratives : Theory and Practice, Eds , Ruth Page and Bronwen Thomas (U of Nebraska P, forthcoming).
  • 4David Herman, Basic Elements of Narrative (Blackwell, 2009).
  • 5David Herman, "Narrative Ways of Worldmaking," in Narratology in the Age of Interdisci- plinary Narrative Research, eds. , Sandra Heinen and Roy Sommer (Walter de Gruyter, forthcoming).
  • 6http://people. cohums. ohio-state. edu/herman1475/storyworlds. html.
  • 7J.C. Meister, ed , Narratology beyond Literary Criticism (Walter de Gruyter, 2005).
  • 8Tom Kindt, et al. , eds. , What ls Narratology? (Walter de Gruyter, 2003).
  • 9新华网.网络小说改编电影风靡改编权起步价两百万[EB/OL].(2015-05-22)[2016-08-08]http://www.bj.xinhuanet.com/bjyw/2015-05/22/c_1115372579.htm.
  • 10百度百科.微微一笑很倾城[EB/OL].(2016-08-18)[2016-08-17]http://baike.baidu.com/item/微微一笑很倾城/16692483#viewPageCOntent.

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