共生理论视域下的甘青地区民族民间音乐文化研究

Research on the Cultures of Ethnic Folk Music in Gansu-Qinghai Region from the Perspective of Symbiosis Theory

甘青地区自古以来就是一个多民族聚居的地区,民族迁徙、民族杂居、民族融合等现象一直普遍存在,其民间音乐文化呈现出前所未有的繁荣态势,各民族音乐文化相互交融、互通有无、共生共存共荣。本文着重从甘青地区民族民间音乐文化共生的背景、表现特质、核心理念与动力机制等三个方面进行剖析,阐释甘青地区民族民间音乐文化经过漫长的历史进程不断分化、融合和重构、再生的内在机制,在某种意义上,它是中华民族共同体历史形成的缩影和典型案例。

The Gansu-Qinghai region has been a multi-ethnic area since ancient times because the phenomena of ethnic migration,ethnic coexistence,and ethnic integration have always been widespread.And the cultures of folk music here have also shown an unprecedented prosperity as various ethnic groups exchange,symbiose,coexist and blend with each other.This essay focuses on analyzing the background,performance characteristics,core concepts and dynamic mechanism of the symbiosis of ethnic folk music culture in Gansu and Qinghai regions,and explains the internal mechanism of the continuous differentiation,integration,reconstruction,and regeneration of the music culture in the Gansu-Qinghai region over a long historical process.The internal mechanism,in a sense,is the epitome and typical case of the historical formation of the community for the Chinese nation.