摘要
20世纪30年代,科学小品作为文学与科学相互渗透的一种特殊文体应运而生,它是科学化、大众化、革命化三者交汇的产物,可视为左翼知识分子在城市文化斗争中的一次创新性尝试。在创作动机上,科学小品反映了左翼知识分子主体意识的转变,即从“化大众”到“大众化”;在创作风格上,科学小品既有嬉笑怒骂的讽刺,又有辩证唯物的剖析,深化了左翼作品创作的内容和手段;在价值归宿上,科学小品将视角从日常琐碎转向社会整体,巧妙地将个人的生存斗争转喻为宏大的社会革命。总的来讲,科学小品成功地将科学与革命的主题结合起来,成为新民主主义革命话语体系中的一个独特缩影。
In the 1930s,scientific essays emerged as a unique literary genre where science and literature permeated each other.It was a product of the convergence of scientification,popularization and revolution,representing an innovative attempt by left-wing intellectuals in urban cultural struggles.Firstly,in terms of creative motivation,scientifi c essays refl ected a shift in the subjective consciousness of left-wing intellectuals,transitioning from“popularizing”to“popularization”.Secondly,in terms of writing style,scientifi c essays incorporated both satirical humor and dialectical materialist analysis,deepening the content and means of left-wing works.Finally,in terms of value orientation,scientifi c essays shifted their focus from everyday trivialities to the overall society,cleverly“metaphorizing”personal struggles for survival into grand social revolutions.In summary,scientific essays successfully combined the themes of science and revolution,becoming a unique epitome within the discourse system of the New Democratic Revolution.
基金
教育部人文社会科学研究青年基金项目“中国社会科学家联盟构建新民主主义革命话语机制研究”(22YJC710003)
广东省社科规划项目“新民主主义革命时期唯物辩证法的中国化研究”(GD21YMK02)的阶段性成果。
关键词
科学
革命
左翼
日常
大众化
science
revolution
left wing
daily life
popularization
