广宗寺“歌舞会供表演仪式”考察与内蒙古草原文化“在地化”的渗入与发展

The Research on the“Song and Dance Performance Ceremony”of Guangzong Temple广宗寺and the“localization”of Inner Mongolian steppe Culture

藏传佛教在蒙古高原传播的过程中,为适应蒙古民族独特的人文氛围和地理环境,在藏传佛教寺院的基础建设、法会仪式、文化表达等方面做了一定的调整。本文以内蒙古阿拉善广宗寺“歌舞会供表演仪式”为调研分析个案,通过对该表演仪式中诵经音乐结构的分析,探究内蒙古地区藏传佛教诵经音乐中所融入的蒙古族音乐文化元素,从而阐释广宗寺“歌舞会供表演仪式”在内蒙古草原上的“在地化”现象。研究发现,藏传佛教寺院乐舞仪式已经成为当地蒙古族信仰的重要载体,在蒙藏文化融合发展的过程中起到了积极的作用。

In order to adapt to the unique humanistic condition and geographical environment of the Mongolian,Tibetan Buddhism made some adjustments in the course of the spread on the Mongolian Plateau in aspects of the temple infrastructure,puja ceremonies and cultural expressions.This paper used the“Song and Dance Performance Ceremony”of Guangzong Temple广宗寺in Alxa League Inner Mongolia as a research instance.The purpose is exploring how Mongolian Music Culture infiltrates and integrates into Tibetan Buddhist chanting music by analyzing the structure of chanting music of this Performance Ceremony.Building on the above research,this article will further explain the“localization”of the Guangzong Temple's广宗寺“Song and Dance Performance Ceremony”in the Inner Mongolian steppe.The study found that Tibetan Buddhist monastic music and dance ceremonies have become an important carrier of local Mongolian beliefs and have played a positive role in the process of Mongolian-Tibetan cultural integration and development.