互融与共洽——以南岭走廊平地瑶“芦笙长鼓舞”为例

Mutual integration and harmony--Take the"Lusheng Long Drum Dance"of Pingdi Yao in the Nanling Mountain Corridor as an example

本文以广西壮族自治区贺州市富川瑶族自治县新华乡虎马岭村及大井村“芦笙长鼓舞”为研究对象,对“芦笙长鼓舞”的舞蹈形态及其背后蕴含的族群文化身份给予相关的解读和剖析,通过对舞蹈源流、呈现形式、文化内涵及身份认同等角度的分析与探讨,论证了“芦笙长鼓舞”作为南岭民族走廊瑶族长鼓舞文化的重要代表之一,既是原始遗存的文化产物,也是族群文化身份的纽带与桥梁,更是瑶汉互融共洽的典型艺术形式。其中承载的历史信息与文化内涵是当代传承保护的重点,与此同时,还从侧面印证了中华民族多元一体格局形成发展的多元维度,是铸牢中华民族共同体意识的客观需要,通过仪式中的舞蹈对本民族的族群记忆起到至关重要的作用。

This article takes the"Lusheng Long Drum Dance"in Humaling Village and Dajing Village,Xinhua Township,Fuchuan Yao Autonomous County,Hezhou City,Guangxi Zhuang Autonomous Region as the research object,and provides relevant interpretation and analysis of the dance form of"Lusheng Long Drum Dance"and the ethnic cultural identity behind it.Through the analysis and exploration of the dance source,presentation form,cultural connotation,and identity,etc,To demonstrate that"Lusheng Long Drum Dance",as one of the important representatives of the Yao Long Drum Dance culture in the the Nanling Mountain National Corridor,is not only a cultural product of the original remains,but also a link and bridge of ethnic cultural identity,and also a typical art form of integration and harmony between Yao and Han.The historical information and cultural connotations carried by it are the focus of contemporary inheritance and protection,as well as an important dimension to confirm the formation and development of the diverse and integrated pattern of the Chinese nation.It is an objective need to strengthen the sense of community of the Chinese nation,and the dance in the ceremony plays a crucial role in the ethnic memory of our own nation.