王朝闻雕塑创作与雕塑美学中的对话性结构

Wang Chaowen's Sculpture Creation and Dialogue-featured Structures in Sculptural Aesthetics

王朝闻的雕塑艺术实践,植根于20世纪中国美术发生巨大变革的时代语境之中,不仅体现出面向社会、面向大众不断探索的文化审美品性,同时折射出中国雕塑的现代转型轨迹。艺术家的经验使得王朝闻反对从“概念”出发进行理论探讨的进路,而是注重艺术与生活之间的联系,其关于雕塑的理论阐发也在理论与实践、雕塑与非雕塑、作者与观者等关系中呈现出一种对话性的结构,进而发展成一种真正具有原创性和民族特点的中国特色雕塑美学理论。

Wang Chaowen practiced sculptural art when Chinese art was witnessing great changes in the 20th Century, which reflected his society-and public-oriented cultural aesthetics and taste and the modern transformation of the Chinese sculpture. Due to his own experience, he opposed the “concept”-based way of theoretical exploration, but focused on the connection between art and life. His interpretation of sculptural theories demonstrated a dialogue-featured structure in the relationship between theory and practice, sculpture and non-sculpture, and artists and viewers, and then developed into an original theory of sculptural aesthetics with Chinese characteristics.