在旋律如歌性与交响戏剧性之间不懈探索——再论施光南歌剧创作及其当代启示

Between Cantabile Melody and Symphonic Drama:Shi Guangnan’s Opera Composition and Its Contemporary Implications

施光南堪称旋律大师,他的歌剧《伤逝》《屈原》体现了作曲家对歌剧之梦孜孜不倦的追寻,并在旋律如歌性与交响戏剧性之间苦苦探求中国歌剧腾飞的可行之路且取得了有目共睹的成就。当然,为各种主客观原因所决定,两部剧作仍有若干不足,从而给当代歌剧创作留下若干极可宝贵的启示。

Shi Guangnan is a master of melody,and his operas“Remorse”and“Qu Yuan”reflect his dedication of opera.Shi achieves a great success between exploring cantabile melody and symphonic drama.Due to various reasons,both operas still have some shortcomings,thus leaving valuable insights for further contemporary opera creations.