宋代梳妆仕女图中的漆妆奁形制及CMF特征研究

Study on the Form and CMF Characteristics of Lacquer Trousseau in the Painting of the Dressing Ladies in Song Dynasty

历来关于宋画中陈设品的研究主要以家具类为主,但由于家具实物出土较少,所以只能从图像、文献的角度展开研究。宋代四幅梳妆仕女图《绣栊晓镜图》《靓妆仕女图》《调鹦图》《盥手观花图》中的陈设品既有家具类漆器,又有梳妆类漆器,而现存宋代漆妆奁文物不少。从漆妆奁入手,相关成果可为宋画中缺乏实物的家具品类研究提供切实佐证。运用图像、文物、文献“三重”证据法,研究画中漆妆奁的形制及其色彩、工艺,完成漆妆奁CMF研究发现,宋代漆妆奁具有以数制简的形制特征、简繁益彰的工艺特征、雅俗共济的色彩特征。漆妆奁材料效果主要通过形、色、工呈现,所以将材料融汇于三者中探讨。

Historically,the study of furnishings in Song paintings has been mainly focused on furniture,but due to the fact that few furniture objects have been unearthed,the study can only be carried out from the perspective of images and documents.The furnishings in the four pictures of dressing ladies in the Song Dynasty,including the picture of"Looking in a Mirror by an Ornamental Box","Lady at Her Dressing Table in a Garden","Lady Watching a Maid with a Parrot","Flowers Viewing and Washing Hands",include both furniture lacquer ware and dressing lacquer ware,and there are many existing artifacts of lacquer trousseau in Song Dynasty.Starting from the lacquer trousseau,the relevant results can provide practical evidence for the study of the furniture category that lacks physical objects in Song paintings.Using the"triple"evidence method of images,artifacts,and documents,we studied the form,color,and craftsmanship of the lacquer trousseau in the paintings and completed the CMF study of the lacquer trousseau,which found that the lacquer trousseau of Song Dynasty had the form characteristic of making the simpler by the number,the craftsmanship characteristic of the simpler and more complex,and the color characteristic of elegance and vulgarity.The material effect of the lacquer trousseau is mainly presented through shape,color,and workmanship,so the material is integrated into the three to explore.