从奇谲到澄明,或从新古典到超现实--论方明的诗歌方向与“现象诗学”

From Queerness to Clearness,or from Neoclassicism to Surrealism:On Fang Ming's Poetic Direction and“Phenomenological Poetics”

台湾地区旅法诗人方明2017年名列“中国百年新诗百位最具影响力诗人”榜单。《然后:方明诗集》的出版为人们把握当代新诗的发展方向、实质的创造性,进而解读诗人的成功之道,提供了一个样本。方明从新古典走向超现实的路向兼容了“展开式结构”与“高层式结构”这两种诗歌内在结构模式,也标划出新诗的发展方向。方明诗歌观念与路向可以概括为“现象诗学”。从早期注重文化寻根的新古典主义到后期注重内在真实的超现实主义,从早期以苦吟求奇谲到后期以现象达澄明,找到了文化之根,并深植于生活的大地,又汲取了现代主义的养料以配合个人才华,终于成为当代卓有成就的诗人。

Fang Ming is one of the“100 Most Influential Poets of China’s Centennial New Poetry”.The publication of Ranhou:Collection of Poems of Fang Ming provides a sample for people to grasp the development direction and substantive creativity of contemporary new poetry,and to interpret the poet's avenue to success.Fang Ming’s way from neoclassicism to surrealism is compatible with the two internal structural modes of poetry,that is,“expanded structure”and“high-level structure”,and marks out the development direction of new poetry.His poetic concept and way can be summarized as“phenomenological poetics”.From the neoclassicism which pays attention to seeking the culture root in the early stage to the surrealism which focuses on the inner truth in the later stage,from the earlier search for queerness with painstaking recitation to the later realization of clearness with phenomena,he has found the root of culture,planted it in the earth of life,and absorbed the nutrients of modernism to match the personal talent,so he becomes an accomplished poet finally.