摘要
敦煌写本S.3016与S.2295所见《心海集》是抄写者为了方便个人记诵而进行的较为随意的传抄,其抄写时间应在中晚唐时期。从内容上看,其中的各个篇目是对南宗禅的佛性观、修行观、解脱观的系统阐发。从形式上看,《心海集》明显受到了汉译佛经偈颂程式化体式的影响,但较为讲求韵律,对程式的运用相对灵活,出现了大量的同义类聚现象。
Xin Hai Ji of Dunhuang manuscripts S.3016 and S.2295 was a relatively random biography made by copyists for the convenience of personal memorization,and its copying time should have been in the Middle and Late Tang Dynasty.From the perspective of content,each of the chapters is a systematic exposition of the Buddhist character view,devotional practice view,and liberation view ofSouthern Zen.From a formal perspective,the Xin Hai Ji is clearly influenced by the stylized form of Chinese Buddhist hymns,but it emphasizes rhythm and is relatively flexible in application,resulting in a large number of synonymous aggregation.
作者
张琴
曹亚彬
ZHANG Qin;CAO Ya-bin(Taiyuan Open University,Taiyuan,Shanxi 030024;Shanxi Normal University,Taiyuan,Shanxi 030031)
出处
《怀化学院学报》
2024年第1期107-113,共7页
Journal of Huaihua University
基金
国家社会科学基金冷门绝学研究专项“敦煌集部文献校录整理与研究”(19VJX128)。
关键词
敦煌写本
《心海集》
南宗禅
程式化
同义类聚
Dunhuang manuscript
Xin Hai Ji(心海集)
Southern Zen
stylization
synonymous aggregation
