期刊文献+

音乐会电视转播音频制作探析——以天津音乐节开幕式音乐会转播为例

Analysis on Audio Production for Television Broadcasting of Concerts--Taking the Broadcasting of the Tianjin Music Festival Opening Ceremony Concert as an Example
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摘要 自国内普及古典音乐以来,观众的文化与音乐素养迅速提升。音乐会实况转播中的声音艺术表达是提升观众审美体验的要素。文章以天津音乐节开幕式音乐会为例,简要阐述转播声学场地特点、音频系统、传声器拾音方案等技术规范,同时结合音乐会的艺术特点,从视听语言与声音美学角度出发,初步探究了交响音乐会声音制作的基本理念。 Since the popularization of classical music in China,the cultural and musical literacy of the audience has rapidly improved.The artistic expression of sound in live broadcasting of concerts has also become an element in enhancing the audience's aesthetic experience.This article takes the opening ceremony concert of the Tianjin Music Festival as an example to briefly explain the technical specifications of the broadcasting acoustic venue,audio system,and microphone pickup scheme.On the other hand,this article also combines the artistic characteristics of concerts to explore the basic concepts of sound production in symphonic concerts from the perspectives of audio-visual language and sound aesthetics,and analyzes the differences with traditional classical music recording.
作者 赵学增 ZHAO Xuezeng(Haihe Media Center,Tianjin 300381,China)
机构地区 海河传媒中心
出处 《电声技术》 2024年第2期58-60,共3页 Audio Engineering
关键词 音乐会 拾音方案 声音制作 concert sound pick-up audio production
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二级参考文献14

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