从民族歌剧表演看民族唱法的多样化

On the Diversity of National Singing from the Perspective of National Opera Performance

歌唱方法看似是一个技术层面的问题,但唱法的运用关乎表演者对风格的选择,关乎表演者的审美意识。对于民族歌剧表演者而言,民族声乐的创新发展就在于追求唱法的多样。作为风格不同的三部民族歌剧,以板腔体思维为主创作的歌剧《党的女儿》、以旋律化思维为主创作的歌剧《边城》、以交响性思维为主创作的歌剧《映山红》,其主要角色的塑造需要多样化的的民族唱法。

The method of singing seems to be a technical problem, but its application is related to the choice of style and aesthetic consciousness of performers. For national opera performers, the innovation and development of national vocal music lies in the pursuit of diversification of singing methods. The operas The Daughter of the Party, The Border Town, and Azalea, which are composed respectively of metrical-change-form(ban-qiang-ti)thinking, melody thinking and symphonic thinking, are three national operas with different styles. The shaping of their protagonists require diverse national singing methods.