歌剧艺术的“沉浸”与“幻觉”

"Immersion"and"Hallucination"in Opera Art

歌剧是古典艺术的典范。随着科技的不断发展,歌剧也不得不寻找新的表达方式,其中虚拟艺术性中所特有的“沉浸”与“幻觉”就是当代歌剧尝试探索的新样貌。但循着图像艺术的历史脉络不难发现,歌剧与生俱来地在幻觉中延展,因此今天“虚拟”“沉浸”“幻觉”在歌剧中的出现,都可视为必然。但科技只能助力和加持艺术,而不能替代艺术,故将“沉浸”与“幻觉”引入歌剧也只是当下歌剧创演诸多创新思维中的一种。

Opera was once a model of classical art. But with the development of technology, opera has also had to find new ways of theatrical expression. The unique “immersion” and “hallucination” in virtual art is a new dramatic expression that contemporary opera tries to explore. But as far as the historical development of image art is concerned, opera is inherently extended in hallucination. Therefore, the appearance of virtual “immersion” and “ hallucination” as in opera today is inevitable. But technology can only help and bless art, not replace it. The introduction of “immersion” and “hallucination” into opera as a way of dramatic expression is only one of the innovative thinking in contemporary opera.