音乐表演视域下的贝多芬晚期风格若干面向——以《A大调钢琴奏鸣曲》(Op.101)为例

Aspects of Beethoven's Late Style from the Perspective of Music Performance——A Case Study of the Sonata in A Major(Op.101)

晚期风格是贝多芬研究领域的重要话题,其中“结构的重建”“技法的重拾”“乐思的重塑”等具体手法折射出贝多芬晚期风格的若干面向。“音乐表演”有其自身的视域属性,故可以站在其独特立场观察作曲家、作品、表演者和聆听者之间的深层次关系,并借助手稿、乐谱、录音、乐器等介质与现有研究成果形成共振效应,以此揭示贝多芬晚期风格的艺术价值。

Beethoven's late style is an important topic in the study of Beethoven, among which “the reconstruction of structure,” “the restoration of technique” and “the remodeling of music thought” all reflect some aspects of the late-period Beethoven. “Music performance” has its own visual attribute, which can be used to observe the composer, his compositions, performers and listeners from an individual perspective. Works,performers and listeners of the deep-seated relationship between, and with the help of manuscripts, music,recordings, musical instruments and other media and existing research results, all help to form a resonance effect, in order to reveal the artistic value of Beethoven's late style.