摘要
晚期风格是贝多芬研究领域的重要话题,其中“结构的重建”“技法的重拾”“乐思的重塑”等具体手法折射出贝多芬晚期风格的若干面向。“音乐表演”有其自身的视域属性,故可以站在其独特立场观察作曲家、作品、表演者和聆听者之间的深层次关系,并借助手稿、乐谱、录音、乐器等介质与现有研究成果形成共振效应,以此揭示贝多芬晚期风格的艺术价值。
Beethoven's late style is an important topic in the study of Beethoven, among which “the reconstruction of structure,” “the restoration of technique” and “the remodeling of music thought” all reflect some aspects of the late-period Beethoven. “Music performance” has its own visual attribute, which can be used to observe the composer, his compositions, performers and listeners from an individual perspective. Works,performers and listeners of the deep-seated relationship between, and with the help of manuscripts, music,recordings, musical instruments and other media and existing research results, all help to form a resonance effect, in order to reveal the artistic value of Beethoven's late style.
出处
《音乐艺术(上海音乐学院学报)》
北大核心
2024年第1期160-175,共16页
Art of Music(Journal of the Shanghai Conservatory of Music)
基金
2023年度上海音乐学院校级科研项目“音乐表演视域下的贝多芬晚期作品风格阐释”,项目批准号:2023XJ2D03。