摘要
边缘性遗产作为我国文化遗产保护中的“流亡”部分,其定义和开发尤其困难。当前我国的遗产治理缺乏地域边缘照顾、公众诉求反馈以及多方参与的开发形式。文章研究从日本的“越后妻有(Echigo-Tsumari)艺术祭”和景德镇的“艺术在浮梁”两个实例出发,探讨行动策划视角下“政府、社会、个人”三方共治,达成遗产的开发转型建构。文章结论指出,行动策划治理具有和我国遗产(特别是边缘性遗产)保护开发相适配的特性。建议纳入实例的经验,具体地探讨遗产在地活化治理的空间、系统环节,使边缘性遗产得到新的瞩目和利用。
Marginal Heritage,as the"exiled"part of our cultural heritage conservation,is particularly difficult to define.It is also challenging to develop.The current governance of heritage in China lacks territorial and marginal care,public feedback,and multi-participatory development.The paper examines the examples of the"Echigo-Tsumari Art Festival"in Japan and"Art in Fuliang"in Jingdezhen,and explores the tripartite governance of"government,society,and the individual"in the context of action planning governance to achieve transformative construction.The paper concludes that action planning governance has characteristics that are compatible with the conservation and development of heritage in China,especially marginal heritage.It is suggested that the spatial and systemic aspects of in-situ heritage revitalisation governance should be explored in a concrete manner,incorporating the experiences of examples,so that marginal heritage can receive new attention and utilize its potential.
出处
《建筑与文化》
2024年第4期230-232,共3页
Architecture & Culture
关键词
遗产保护
行动策划
边缘性遗产
艺术节
heritage conservation
action planning
marginal heritage
art festival