摘要
装饰纹样作为陶瓷艺术重要的组成部分,在中国传统文化艺术中占据重要的地位。唐代长沙窑釉下装饰题材丰富,其中以动物纹样题材为大宗,独特的艺术表现力不仅展现美的表现形式,更包涵无尽的历史文化精神。文章以唐代长沙窑动物纹样的装饰作为研究对象,分析唐代长沙窑动物纹样的表现类型、表现形式、表现审美特征。透过唐代的历史文化背景,将动物纹样类型进行分类,以传统动物纹样与融入异国文化元素动物纹样本身的形态、构图及文化表现特点为依据,解读长沙窑动物纹样装饰的图像内容以及探析阐释动物纹样表现的文化内涵与价值,分析纹样发展下的文化历史背景影响及意义。长沙窑动物纹样是文化符号与纹样特色的印证,研究为实现对长沙窑装饰设计中动物纹样的渗析以及为长沙窑纹样的深入探析提供参考。
As an important part of ceramic art,decorative patterns hold a significant position in traditional Chinese cultural arts.The Tang Dynasty Changsha Kiln has rich underglaze decorative themes,particularly in the depiction of animal motifs.The unique artistic expressions not only show forms of beauty but also encapsulate profound historical and cultural spirits.This study focuses on the decoration of animal patterns at Changsha Kiln in the Tang Dynasty,analyzing the expression types,forms and aesthetic characteristics of animal patterns during that period.Through the historical and cultural background of the Tang Dynasty,the types of animal patterns are classified.Based on the form,composition and cultural features of traditional animal patterns and animal patterns and those influenced by foreign cultural elements,this paper interprets the image content of animal pattern decoration in Changsha Kiln,analyzes the cultural connotations and values behind the representation of animal patterns,and analyzes the influence and significance of cultural and historical background under the development of animal patterns.The animal pattern of Changsha Kiln is a confirmation of cultural symbols and pattern characteristics.This research aims to provide insights into the study of animal motifs in Changsha kiln decorative designs,offering a reference for the in-depth exploration of Changsha kiln patterns.
作者
杨静雅
吕金泉
YANG Jing-ya;LYU Jin-quan(Jingdezhen Ceramic University,Jingdezhen 333000,China)
出处
《中国陶瓷》
CAS
CSCD
北大核心
2024年第4期89-98,共10页
China Ceramics
关键词
长沙窑
纹样
装饰设计
表现特征
Changsha Kiln
Decorative pattern
Decorative design
Performance characteristics