基于K-Means-NCS-ANOVA的八大民窑颜色聚类与应用偏好研究

Research on Color Clustering and Application Preferences of the Eight Major Folk Kilns Based on K-Means-NCS-ANOVA

中华陶瓷文化源远流长,颜色作为陶瓷的一种装饰,可以表达不同的设计理念、情感意识、地域特征和服务对象。为了更好地传承陶瓷艺术文化,本研究提出了一种基于K-means-NCS-ANOVA的颜色分类研究方法。首先,采用K-means颜色聚类、NCS颜色体系提取宋代八大民窑的颜色特征,分析八大瓷窑的区域特征及设计理念;基于上述分析结果制作问卷调查;并利用描述性分析、单因素方差分析(One-Way ANOVA),探究现代设计师对八大民窑颜色的应用偏好。由实验结果可知,设计师性别、专业、工龄也会对八大民窑颜色的应用偏好产生影响;景德镇窑的颜色最受现代设计师欢迎,而耀州窑、磁州窑、定窑的颜色已经不太符合现代审美。本研究采用现代人工智能技术识别八大民窑特征,调研现代设计师对八大民窑颜色的使用偏好,为文物识别、陶瓷文化传承及人才培养提供理论和技术支持。

Chinese ceramic culture has a long history.As a kind of decoration of ceramics,color can express different design concepts and emotional consciousness.In order to better inherit ceramic art and culture,a color research system based on K-means-NCS-ANOVA method was proposed in this study.Firstly,K-means color clustering and NCS color system positioning were used to extract and analyze the color of the eight major folk kilns in the Song Dynasty.Secondly,based on the above analysis results,a questionnaire survey was created to explore the application preferences of modern designers for the color of the eight major folk kilns.Finally,descriptive analysis and One-Way ANOVA were used to explore the application preferences of modern designers for the color of the eight major folk kilns.According to the experimental results,the gender,profession,and length of service of designers will also have an impact on the application preferences of colors in the eight major folk kilns.The color of Jingdezhen kiln is most popular among modern designers,while the color of Yaozhou kiln,Cizhou kiln,and Ding kiln are no longer in line with modern aesthetics.This study systematically identifies the application preferences of modern designers for the color in the eight major folk kilns,and provides effective theoretical support for inheriting ceramic culture.