再论20世纪50-70年代文艺的社会再现

A Revisit of the Social Representation of Literature In the 1950s-1970s

“八十年代叙述”一度导致20世纪50-70年代文艺的失语,实则它在社会再现方面的成绩不仅优于精英本位的古代士大夫文学与现代“抒情派”文学,甚至较之《白鹿原》等新历史主义叙述也更切近的“低层中国”之主要事实。当然,“见”与“不见”总是缠绕并至,此种社会再现是阶级话语与宗族、宗教、乡里、江湖等本土逻辑竞争、博弈的结果,其间也多有对社会实相的删减、改写与虚构,然而这未必可以理解为虚假,其所涉及的事关共同富裕、平等、劳动之文化建构,正是中国革命旨在争取弱者生存权利的文化实践的组成部分。

The narrative of the 1980s once led to the aphasia of literature in the 1950s-1970s in China.In fact,its social representations are not only superior to the ancient elite-centered literati literature and the modern lyric literature,but also are closer to the social realities of China at grassroot level even than the new historicism narration such as Bai Lu Yuan.Of course,represented and not represented are always intertwined and co-existing.The social representation of s literature and art in this era is the result of competition and game between class discourse and local logic such as clan,religion,village and Jiang Hu.There might be many deletions,adaptations and fictions of social reality,but this may not necessarily be interpreted as false representation.The cultural construction related to common prosperity,equality and labor is a part of the cul‐tural practice of the Chinese revolution to fight for the right of survival of the weak.