摘要
诠释美术作品中的国家形象,图像修辞学与时空体诗学均能发挥重要作用。本文受于润生近著中对俄罗斯形象的图像修辞学分析的启发,试图借鉴国外艺术学界的最新成果,将巴赫金的时空体诗学应用于美术研究,以于著所涉猎的大量俄罗斯绘画作品为材料,从时空体诗学角度重新阐析这些画作,探讨图像背后所隐藏的俄罗斯国家形象。本文作者认为,时空体本身内蕴的跨媒介性使它在美术研究领域具有很强的适用性,其最大特色在于能够从接受者时空体的角度考察现实问题。整体而言,时空体诗学在美术研究中大有可为。
Rhetoric of image and poetics of chronotope can play an important role in interpreting the state image in art works.This paper is inspired by Yu Runsheng's rhetorical analysis of the image of Russia in his recent book,and tries to draw on the latest research results of foreign art academics to apply Bakhtin's poetics of chronotope to the study of fine arts,taking the large number of Russian paintings analysed in Yu's book as material,reinterpreting these paintings from the perspective of the poetics of chronotope,and revealing the image of Russia hidden behind the images.The author believes that the transmediality inherent in chronotope makes it highly applicable in the field of art research,and its most important feature is that it is able to examine real issues from the perspective of the receiver's chronotope.On the whole,the poetics of chronotope has great potential in the study of fine arts.
出处
《俄罗斯文艺》
2024年第2期27-38,共12页
Russian Literature & Arts
基金
国家社科基金重大项目“俄罗斯诗学学派研究”(22&ZD286)阶段性成果。