李浔江南诗境美学论

On Li Xun’s Theory of Jiangnan Poetry Aesthetics

李浔在江南温润绵软的怀抱里恣肆地抒写属于自己的江南感觉,其江南诗借助江南文化原型展开自然白描、人文抒写、历史叙事与风物传说,丰富了新诗的现代表达和诗美营造;充分运用多元文化语境沉积物所潜藏的亲切感和审美化,尝试用吴方言进行诗性建构,实现诗歌语言运思方式的陌生化,获得陌生化效果;其江南诗的风格化,很大程度上得益于通感、联觉、变形等传统江南诗词文人所擅长的歌咏手法,形成了青春浪漫与含蓄简约兼具的风格,体现了李浔江南诗的美学价值和意蕴。

Li Xun expressed his own feelings towards Jiangnan freely in the warm and soft embrace of Jiangnan.With the help of the cultural archetype of Jiangnan,his poems developed natural description,humanistic expression,historical narration and folklore,which enriched the modern expression of new poetry and the creation of poetic beauty.The author made full use of the affinity and aestheticization hidden in the sediments of multi-cultural context,tried to construct poetry with Wu dialect,realized the defamiliarization of poetic language thinking mode,and won the novelty and defamiliarization effect.The style of his Jiangnan poems,to a large extent,benefited from the singing techniques of the traditional Jiangnan poetry writers,such as synaesthesia,synaesthesia and deformation,formed a style of both youthful romance and implicit simplicity,reflecting the aesthetic value and implication of Li Xun’s Jiangnan poems.