“非对象”叙事——中国当代艺术的逻辑起点探索

"Non-objectivism"Narrative-Exploring the Logical Starting Point of Chinese Contemporary Art

作为中国当代艺术主流的“社会学”叙事隐含着艺术身份缺失的内在焦虑,摆脱这一焦虑的出路在于探索艺术特质的视野领域,这一领域的困难,在于如何超越符号学二元论的语言模式。论文以一位画家作品为例,分析这位画家超越符号学语言模式的艺术特质探索。这一探索显示,中国当代艺术寻觅的“近处”,不在于符号学模式中社会学问题的“近距离”叙事,而在于这种社会问题内部的物性敞开与建构。其中,“非对象”而不隔的历史性空间敞开的“甚真”之域,可以追溯至当代西方艺术作品的本源研究与中国艺术精神的“气韵生动”视域。在这一意义上,这位画家的探索为中国当代艺术的艺术特质寻觅提供了一种思路。

The main sociological narrative in Chinese contemporary art implies an inherent anxiety about the lack of artistic identity.The way to overcome this anxiety lies in the realm of artistic characteristics and exploring the difficulties within this sector.It lies in how to transcend the linguistic patterns of semiotic binary oppositions.This paper analyzes the artistic exploration of a painter who surpasses the semiotic language patterns as an example.This exploration demonstrates that the proximity of Chinese contemporary art's sought does not lie in the narrative of sociological issues within semiotic patterns.Instead,it lies in the opening and construction of the physicality within these social problems.In this realm,the"Non-objectivism"but inseparable opening of historic space unfolds the domain of profound truth,which can be traced back to the study of the origins of contemporary Western art and the rhythmic vitality of Chinese art.In this sense,the exploration by this painter provides a pathway for discovering the artistic characteristics of Chinese contemporary art.