艺术创作的无意识心理分析——以林风眠女性题材绘画中的“阿尼玛”原型为例

Unconscious Psychological Analysis of Artistic Creation:The Archetype of"Anima"in Lin Fengmian's Paintings of Female Subjects as an Object of Investigation

本文从荣格分析心理学中的“自性”(self)、“阿尼玛”(anima)等概念入手,从集体无意识心理学理论视角考察林风眠女性题材绘画创作,阐释艺术创作中普遍存在的无意识心理现象。艺术创作不仅受到艺术家的个体无意识的影响,也受到艺术家集体无意识的影响。集体无意识的原型是艺术创造力的来源,更是我们共享“艺术”这一概念的前提。作为人类集体无意识的象征,艺术具有的补偿性可以平衡社会意识中的偏见、反常或风险。从心理学视角对林风眠女性题材绘画进行理论阐释和艺术批评,有助于深度阐述、揭示艺术的社会价值和意义。

Starting from the concepts of"self"and"Anima"in Jungian analytical psychology,this paper examines Lin Fengmian's paintings of women's subjects from the perspective of collective unconscious psychology theory,and then explains the prevalence of the The unconscious psychological phenomenon prevails in art creation.Art creation is not only influenced by the individual unconscious of the artist,but also by the collective unconscious of the artist.The archetype of the collective unconscious is the source of artistic creativity,and it is the premise for us to share the concept of art.As a symbol of the collective unconscious,art has a compensatory nature that balances out biases,anomalies or risks in social consciousness.This paper provides theoretical explanation and art criticism from the perspective of psychology,deeply expounds and reveals the social value and significance of art.