延安时期戏剧作品的劳动叙事及其文化表征

Labor Narratives and Cultural Representations of Drama Works in the Yan'an Period

延安时期,陕甘宁边区政府通过倡导大生产运动,间接完成了对边区军民的组织动员工作。“劳动”作为关键词频繁出现于延安时期的戏剧作品中,“劳动”与戏剧以连接边区军民民族国家想象的姿态出场。有关劳动叙事戏剧作品的涌现,既是戏剧生产组织对边区中央政策的主动响应,亦是剧作家群体在充分考量边区军民主体情感诉求基础上的有意识书写。延安戏剧作品作为文学作品中最具典型性的“文本”,通过劳动叙事及其文化表征,具象呈现了边区“新人”的形象塑造与“新式家庭”的生成过程,进而有效激发了军民团结抗战的革命热情,促进了新的革命主体的生成。

During the Yan'an period,the Government of the Shaanxi-Gansu-Ningxia Border Region indirectly organized and mobilized the military and civilians of the border region by advocating large-scale productive labor.The keyword"labor"frequently appeared in the drama works of this period."Labor",along with drama,intertwined to connect the national imagination of military and civilians in the border region.A large number of"labor narrative"'drama works were both the initiative response from the drama production organization to central policies of the border region,and a conscious effort by playwright groups to meet the subjective emotional demands of military and civilians in the region.Drama work in Yan'an,as the most typical literary"texts"of the time,present the shaping of the"new people"image and the generation of"new families"in the border region through cultural representations of labor narratives.These works effectively promoted revolutionary enthusiasm among the military and civilians to work in solidarity against Japanese aggression and establish a new revolutionary subject.