摘要
唐代是中国传统仕女画发展的鼎盛时期,其仕女画设色方法和主要样式为后代所延续,并有所突破和发展,宋、元时期形成了仕女画的新技法、新风貌。从仕女画发展的鼎盛时期开始,通过分析仕女画名家圣手和经典作品的方式,归纳唐、五代至宋、元时期仕女画的设色方法和主要样式,进而了解传统仕女画设色的演进过程。
The Tang dynasty was the heyday of the development of traditional Chinese paintings of beautiful women,its coloring methods and main styles were continued by the descendants,and made some breakthroughs and development,and the new technique and style of traditional Chinese paintings of beautiful women in the Song and Yuan dynasties was developed.Starting from the heyday of the development of traditional Chinese paintings of beautiful women,this paper summarizes the coloring methods and main styles of traditional Chinese paintings of beautiful women from the Tang and Five dynasties to the Song and Yuan dynasties by analyzing the famous painters and classic works of traditional Chinese paintings of beautiful women to understand the evolution of the coloring methods of traditional Chinese paintings of beautiful women.
作者
宋蕊
Song Rui(Xuzhou Kindergarten Teachers College,Xuzhou,Jiangsu 221004,China)
出处
《漯河职业技术学院学报》
2024年第2期69-74,共6页
Journal of Luohe Vocational Technical College
基金
江苏省教育科学“十四五”规划2021年度课题“民间艺术在早教艺术课程中的开发与应用研究”(C-c/2021/01/64)
江苏省高校哲学社会科学研究基金项目“传统民间美术融入高职美术教学的路径研究”(2023SJYB1213)。
关键词
唐、五代至宋、元
传统仕女画
设色方法
主要样式
from the Tang and Five dynasties to the Song and Yuan dynasties
traditional Chinese painting of beautiful women
coloring method
main style