从写实到表现的转变:论安德斯·佐恩的光影色彩

The Transition from Realism to Expression:On the Light and Shadow Colors of Anders Zorn

安德斯·佐恩,一位获得世界美誉的瑞典籍画家,其作品总是带有古典绘画的造型严谨性与印象主义的光影特色,色彩绚丽,笔触豪放,却又不缺失细节,在其艺术生涯中的绘画创作大多描绘的是其家乡瑞典,在创作过程中一直保持着本民族特色,在现实主义的风格上进行着创新,努力吸收印象派的外光色彩技巧,将其绘画赋予了强烈的瑞典民族特色。他从写实到表现转变过程中,在光影色彩处理方式的变化上总是带有对于民族的情绪表达。佐恩对光色的运用从早期的细腻、精确描绘转向了后期对光线和色彩的更为自由、感性的表达,这一转变不仅展示了他个人风格的成熟,也反映了19世纪末至20世纪初欧洲艺术风格的整体演进。

Anders Zorn,a Swedish painter in the world,his work is always with the modelling of classical painting rigor and shadow characteristics of impressionism,colorful,bold brushwork,but not lack of details,in his hometown Sweden,mostly in the painting career of creation has maintained the national characteristics,in the realistic style of innovation,efforts to absorb the impressionist light color skills,its painting gives a strong Swedish national characteristics.In the process of changing from realism to expression,he always changes the way of processing light,shadow and color with the expression of national emotions.Zorn's use of light and color changed from his early delicate and precise depiction to a more free and perceptual expression of light and color in the later period.This transformation not only shows the maturity of his personal style,but also reflects the overall evolution of European art style from the late 19th century to the early 20th century.