钢琴作品演奏中的“忠实性”问题——以海顿《bE大调钢琴奏鸣曲》第一乐章为例

Exploring the Authentic of Piano Performance Interpretation:Taking Haydn's Piano Sonata in bE Major(Hob.XVI:52)as an Example

本文围绕忠实性的客体存在、实体文本的解读以及抽象文本的约定三个部分,深入分析和研究音乐表演的“忠实性”,并将其带入钢琴作品海顿《bE大调钢琴奏鸣曲》(Hob.XVI:52)第一乐章的演奏诠释中,以具体的钢琴作品为例探讨忠实性的钢琴演奏。

This paper focuses on the object existence of Authentic,the interpretation of solid text and the agreement of abstract text,deeply analyzes and studies the"Authentic"of music performance and introduce it into the interpretation of piano performance,taking specific piano works as an example,explore how to make an authentic piano performance.