摘要
清代出现了大量多民族共同参与的书画活动,展现了各民族对中华文化的认同与共塑,以允禧为核心的西园文人交游圈便是其中的一个范例。他们的书画活动及书画文学作品展现了清代多民族交往交融的历史图景,呈现出各族文人对中华文化认同的具体表征,揭示了清代多民族书画活动所具有的中华文化认同功能。
In the Qing Dynasty,there were a large number of calligraphy and painting activities involving multiple ethnic groups,demonstrating their identity and joint shaping of Chinese culture.The Western Garden literati circle centered around Yunxi was one example of this.Their calligraphy and painting activities,as well as their literary works,showcase the historical scene of multi-ethnic communication and integration in the Qing Dynasty,presenting specific representations of Chinese cultural identity by literati of various ethnic groups,and revealing the function of multi-ethnic calligraphy and painting activities in the Qing Dynasty in identifying Chinese culture.
作者
奥日莎
Aorisha(School of Literature and Journalism,Inner Mongolia University,Hohhot 010021,China)
出处
《内蒙古大学学报(哲学社会科学版)》
2024年第2期88-96,共9页
Journal of Inner Mongolia University(Philosophy and Social Sciences)
基金
内蒙古自治区高校创新团队资助项目(项目批准号:NMGIRT2209)
第十二批“草原英才”工程创新创业团队资助项目。
关键词
书画活动
书画文学
文化认同
中华民族共同体
Caligraphy and painting activities
calligraphy and painting literature
cultural identity
the Chinese Na-tional Community