后数字艺术实践与后数字审美——以俄罗斯数字艺术为例

Post-digital Art Practices and Post-digital Aesthetics: A Case Study of Russian Digital Art

从20世纪90年代开始,正统主义艺术逐渐向艺术中的新物质主义方向过渡。与此同时,在“全面数字化”和大众文化占主导地位的文化环境下成长起来的新一代艺术家和设计师不约而同转向了后数字艺术实践,他们试图将当代世界呈现为一个混合多元世界,其中数字和真实、人工和物质平等地共存,具有同等价值。后数字审美不是数字审美的终点,而是它在新条件下的延续和表现,其中的互动性特质不可忽视。结合当代艺术实践分析俄罗斯当代视觉艺术形式的最新趋势,有助于深化对俄罗斯数字艺术的认识。

Since the 1990s,orthodox art has been in transition towards a new materialism in art.At the same time,a new generation of artists and designers who grew up in a cultural environment dominated by“total digitization”and mass culture have coincidentally turned to post-digital art practices,attempting to present the contemporary world as a hybrid and pluralistic world in which the digital and the real,the artificial and the material coexist on an equal footing and are of equal value.Post-digital aesthetics is not the end of digital aesthetics,but its continuation and manifestation in new conditions,in which interactive qualities cannot be ignored.Analyzing the latest trends in contemporary Russian visual art forms in the context of contemporary art practice helps to deepen the understanding of Russian digital art.