理性与疯癫的“异态”世界——访谈茅盾文学奖得主毕飞宇

Rationality and Madness of the“Alienated”World:An Interview with Bi Feiyu,Winner of Mao Dun Literature Prize

《上海交通大学学报(哲学社会科学版)》推出“著名作家高端访谈”栏目,本期访谈江苏省作协主席、茅盾文学奖得主毕飞宇。通过比较《欢迎来到人间》和《推拿》两部小说的区别,毕飞宇指出,《欢迎来到人间》更多的是切入当下,描写异态的人与世界,展现其背后隐藏的理性与疯癫;《推拿》则是将盲人的黑暗世界拉到阳光下,展现他们的尊严与抗争。毕飞宇在创作时注重叙事的主体性,关注人与权力、人与社会的矛盾关系。他的创作随着中国文学的阶段性发展,也有意识地实现了从书写历史向切入当下的转变,以期更有效地还原中国。毕飞宇认为,无论外界对经典文学持有怎样的态度,由内心驱动的文学创作不会完全被外部的世界所左右。

Journal of Shanghai Jiao Tong University(Philosophy and Social Sciences Edition)presents the column of“High-level Interviews with Renowned Writers”.In this issue,the interview focuses on Bi Feiyu,Chairman of Jiangsu Writers Association and winner of Mao Dun Literature Prize.By comparing the differences between his novels Welcome to the World and Massage,Mr.Bi points out that Welcome to the World delves more into the present,portraying alienated individuals and their interactions with the world,revealing the concealed rationality and madness behind them.In contrast,Massage brings the dark world of the blind into the sunlight,showcasing their dignity and resistance.Mr.Bi,in his creative process,emphasizes the subjectivity of narrator,addressing the conflicting relationships between individuals and power,as well as individuals and society.His creative work,in tandem with the phased development of Chinese literature,consciously undergoes a transition from historical narratives to a more contemporary approach,aiming to more effectively capture the essence of China.Mr.Bi believes that regardless of the attitudes of the external world towards classical literature,literature driven by inner conviction is less likely to be completely influenced by the external world.