求真:朴趾源《热河日记》中的绘画指向

Seeking Realism: The Interest of Painting in Bak Ji-won’s A Philosopher’s Journey into Rehe

一直以来,由于朴趾源的《热河日记》中关于绘画思想的笔墨尚简,鲜有学者以画论角度进入文本。但朴趾源以中西比较的视野分析绘画,充分显示了处于转型之际的民族对于“文化自信”建设的渴望。因此,以《热河日记》中关于绘画的片段式言语为基础,探究朴趾源绘画理论的哲学前提,即由科学的自然观、以“利用厚生”为目的的社会观和现实主义的美学观为表征的唯物主义表现,分析朴趾源从经验到本质真实的绘画发生逻辑和以“求实”“切情”“真趣”为内涵的绘画内容,无不为理解当时的朝鲜进入现代性的方式和现代社会对人与自然关系的问题提供审美路径。

For a long time,due to the emphasis on simplicity in the painting ideas in Bak Ji-won’s A Philosopher’s Journey into Rehe,few scholars have entered the text from the perspective of painting theory.However,Bak Ji-won’s analysis of painting from the perspective of comparison between China and the West fully demonstrates the desire of the nation in the midst of transformation for the construction of cultural confidence.Therefore,based on the fragmentary words about painting in A Philosopher’s Journey into Rehe,this paper explores the philosophical premise of Bak Ji-won’s painting theory,that is,the manifestation of materialism characterized by a scientific view of nature,a social view aimed at fully utilizing the role of things to make the people prosperous,and a realistic aesthetic view,analyzes the logic of Bak Ji-won’s painting from experience to essence,and the painting content with seeking reality,fitting inner emotions,and true interest as its connotations,all of which provide an aesthetic path for understanding the way Korea entered modernity at that time and the relationship between humans and nature in modern society.