现代文化视域中新旧博弈的《文艺会刊》——兼论五四时期知识女性的自我认同

The Literature and Art Journal of the New and Old Game in Modern Cultural Horizon:A Discussion on the Self-Identification of Intellectual Women During the May Fourth Period

五四时期,中国文坛涌现出陈衡哲、冰心、凌叔华、庐隐、石评梅、陆晶清、苏雪林等知识女性。她们正式走上文坛之前,有着迥异的文学经历,但无一例外,她们均是从高等学校的教育中获取并增进了现代写作的意识与资源,这期间或多或少受制于早年家庭文化环境与正在发展的高校女子教育机制的牵制与影响,导致她们的“理论构想”与“文本实践”之间存在着文化张力与精神裂隙。基于此,以20世纪20年代的北京女子高等师范学校的文艺研究会会刊《文艺会刊》及其刊发的诗歌作品为研究对象,通过计量史学的研究方法,探讨现代文化视域中现代女性诗歌话语如何在教育场域内发生,又面临着怎样的挑战与局限,进而考察五四时期知识女性的自我认同,寻觅她们的新旧文化选择轨迹。

During the May Fourth period,intellectual women such as Chen Hengzhe,Bing Xin,Ling Shuhua,Lu Yin,Shi Pingmei,Lu Jingqing,Su Xuelin and so on emerged in the Chinese literary world.Before they officially entered the literary world,they had very different literary experiences,but all of them had enhanced their consciousness and resources of modern writing from the education of higher schools.More or less,they were restricted by the early family education environment and the developing mechanism of women’s education in higher schools,which led to the gap between their“theoretical conception”and“text practice”.Based on this,the study takes the Literature and Art Journal of the literature and art research institute in Beijing Female Higher Normal College and the new poetries published in it in the 1920s as the research objects.Through the research method of bibliometric historiography,the study explores how modern women’s poetry occurred in the field of education in modern cultural horizon,and what challenges and limitations it faced.Furthermore,the study examines the self-identification of intellectual women during the May Fourth period and seeks their trajectory of choosing new and old cultures.