采“花”成“蜜”——论《一杯美酒主题随想曲》的风格维度

Harvesting Blossoms to Yield Honey:Exploring the Stylistic Dimensions of"A Glass of Wine Theme Rhapsody"

本文以作曲家姜万通创作的《一杯美酒主题随想曲》为例,揭示在这一宏大的体裁框架下钢琴作为主奏乐器,在与西方管弦乐队的交响、合奏、竞奏中所展露出来的中国审美意趣和创作构想,以及作曲家在这一体裁的总体把握上呈现出的独属于中国钢琴作品风格的辨识度等,让作品的原创性与出新性得到合理呈现,并期望以这样一种研究角度能对当下中国音乐作品创作起到启示作用。

This paper takes composer Jiang Wantong's composition"A Glass of Wine Theme Rhapsody"as a case study,revealing the Chinese aesthetic interests and creative concepts manifested by the piano as the main solo instrument within the grand framework of symphonic,ensemble,and competition with Western orchestras.It also explores the composer's unique grasp of this genre,presenting the distinctiveness of the style belonging to Chinese piano compositions.These aspects collectively ensure the reasonable presentation of the work's originality and innovativeness.It is hoped that such a research perspective can provide insights into contemporary Chinese music composition.