技术物视角下的双重镜像主题

On the Double-Mirroring from the Perspective of Technical Objects

镜像是电影美学的基本构成元素,影像叙事中的双重镜像主题则经历了由神话到政治,由宗教到技术的多种变形。透视不同作品中对于自我与镜像之间的关系描述,可以发现技术物视角下的双重镜像主题具有值得关注的新质变化。那些经由技术想象完成的自我镜像物化,反而导致了原初自我的工具化,甚至使富含诗意的相遇时刻变形为冲突的开始。

Mirroring is a common technique in film aesthetics,and the double-mirroring theme in video narratives has gone through a variety of deformations from myth to politics,from religion to technology.Looking at the description of the relationship between self and mirror image in different works,we can find that the double-mirroring theme from the perspective of technical objects has a new quality that deserves attention.Consequently,the objectification of those self-mirroring images accomplished through technical imagination leads to the inst rumentalization of the original self,even transforms the poetic encoun tering moment into the beginning of the confict.